Publisher’s write-up:
‘Forty years ago, Harriet Vanger disappeared from a family
gathering on the island owned and inhabited by the powerful Vanger clan. Her
body was never found, yet her uncle is convinced it was murder - and that the
killer is a member of his own tightly knit but dysfunctional family.
He employs disgraced financial journalist Mikael Blomkvist and the
tattooed, truculent computer hacker Lisbeth Salander to investigate. When the
pair link Harriet's disappearance to a number of grotesque murders from forty
years ago, they begin to unravel a dark and appalling family history.
But the Vangers are a secretive clan, and Blomkvist and Salander
are about to find out just how far they are prepared to go to protect
themselves.’
Afin de lire ce commentaire en français, cliquez ici
Afin de lire ce commentaire en français, cliquez ici
The Girl
with the Dragon Tattoo is the first book in the Millennium series from Stieg Larsson. It is said that one should
never judge a book by its cover, but that is exactly what I did with this book
for several years. Much as I always saw this in the bestseller category in
bookstores, judging by the title, I always thought it was going to be a novel
under the genre romance (maybe if the Swedish title had been translated word
for word – ‘Men who hate women’, it
might have attracted my attention). This perception would have continued till I
was recently forced by a colleague to start reading the book with it being
described as a ‘page-turner’.
The plot
has two principal characters – Mikael Blomkvist, a journalist recently
convicted for defamation against a leading Swedish investor and Lisbeth
Salander, a private detective. The conviction led to Blomkvist having to leave
the magazine he founded, and at the same time – receives an offer from the
82-year-old chairman of Vanger Corporation to solve the murder of his niece
Harriet – in what was a typical ‘locked room murder situation’ with both the
murderer and the victim vanishing without a trace. Blomkvist, at first was not
convinced moving up north to a remote island north of Stockholm but agrees as
he wanted a break and also how Vanger offered a compensation more than
sufficient to cover the compensation he needed to pay as libel damages. Lisbeth
Salander on the other side, is working as a private detective in a security
services firm and while she does not have any formal training regarding the
same, proves to be extremely accurate and detailed in her analysis. The only
connection between Blomkvist and Salander to begin with was the latter doing a
background check on the former for a client of her firm.
The book
is almost 560 pages long and it never felt that way owing to both, the pace and
the manner in which the story was narrated. The plot fell in place one after
the other – Blomkvist’s conviction, Salander’s investigation, Blomkvist’s
appointment by Vanger; happening within the first fifty pages with the plot
seamlessly moving from thereon. Blomkvist’s character was completely revealed
at the outset to the reader through Salander’s investigation but then, her own
profile is hardly revealed – which also contributed to the page turner effect. Another
key character is Henrik Vanger – the chairman of the Vanger Corporation, the
ailing businessman whose only obsession in life is to find out what happened to
his niece. He does not have a very positive view on his family and is shown to
be a suave and achieves what he wants without displaying aggression. The Vanger
family has a murky history with its members having had connections with the
Nazis during the war and neo-Nazi organisations much after the war, another
reason for Henrik’s antipathy towards his clan.
It is
interesting to note that unlike other whodunnit
novels, this features a murder, or so believed by both police and Vanger,
was committed forty years ago – which adds a complexity to the case. The number
of names and characters might be a difficulty to some of the readers but not
quite if you have prior experience reading stories with several characters and
in my case, having read novels like The Luminaries and One Hundred Years of Solitude helped. While the novel is not exactly a fantasy novel, the city
of Hedestad and the island of Hedeby to the north of Stockholm is fictitious
and both the places were described in good detail (including a map).
While
Lisbeth Salander was an interesting character and I could connect to a lot of
her adjectives such as introvert,
socially aloof, etc., there was insufficient detail on how she acquired
those skills (hopefully described in the sequels). Moreover, she achieved her
tasks with relative ease that she almost seemed like a superhero. It is true
that she has gone through a lot of hardships in her life and it has taken her
effort to reach this stage; but during the course of the case, she achieved her
ends with relative ease.
The
Salander-Blomkvist was good contrast, while the former focuses more on the ends
regardless of the means whereas Blomkvist often takes stands on principle, even
if it is to his disadvantage. The unravelling of the whodunit was certainly the
best part of the novel – the multiple characters they interact with. With that
said, the novel was 560 pages long and the final quarter felt like a drag, and
in most cases seemed unrelated to the plot.
I also have a bone to pick with the English title - as I felt The Girl with the Dragon Tattoo was neither the principal character nor the central theme of the book - a direct translation of the Swedish title would have been more appropriate (which I understand was the case in French, for instance).
I also have a bone to pick with the English title - as I felt The Girl with the Dragon Tattoo was neither the principal character nor the central theme of the book - a direct translation of the Swedish title would have been more appropriate (which I understand was the case in French, for instance).
I judge
books by their cover and I have often selected books on that basis. Sometimes
it works, sometimes it does not, but this is a case where I missed out on a
good book by this approach. I do have a fascination for crime stories from this
region – having read Karin Fossum as well as having followed TV dramas such as Broen and Forbrydelsen. It was just that in this case, I was not aware that
it was a crime novel and judging by all that I have had to say on this book
thus far, I would rate this book an eight on ten.
Rating – 8/10
Have a nice day,
Andy