"The acceptance that all that is solid has melted into the air, that reality and morality are not givens but imperfect human constructs, is the point from which fiction begins." - Sir Salman Rushdie
Publisher's write-up: 'Criminal mastermind Artemis Fowl has summoned an elite group of fairies to Iceland. But when he presents his invention to save the world from global warming, he seems different. Something terrible has happened to him. Artemis Fowl has become nice. The fairies diagnose Atlantis Complex [that's multiple-personality disorder to you and me] - dabbling in magic has damaged his mind. And now the subterranean city of Atlantis is under attack from vicious robots and nice Artemis cannot fight them. Can fairy ally Captain Holly Short get the real Artemis back - before the mysterious robots destroy the city and every fairy in it?' Artemis Fowl and the Atlantis Complex is the seventh and penultimate book in the Artemis Fowl octet written by Eoin Colfer. The reviews of the previous six books are available in this blog (check 'List of Reviews'). In this, Artemis Fowl has invented with a device to save the world from global warming and invites an elite group of fairies to Iceland, to present his device. However, disaster strikes, Artemis Fowl is not being himself as he has been diagnosed with Atlantis Complex; symptoms of which are that he doesn't trust anyone, including Butler, starts counting numbers and is obsessed with the number five. Added to that, they come under attack from dangerous amorphobots, designed by Foaly, reprogrammed by someone else into devastating killing machines. To top it all, there is no Butler to protect them, Artemis is crazy and his alternative personality is just a crazy teenager madly in love with Holly. For a start, this book's humour element was higher than the other books in the series owing to the fact that all along, it was only Mulch, who was the comical relief but now there is Orion Fowl, Artemis' alternative personality (although, Orion is just crazy, and not witty like Mulch). But for that, this book was disappointing. The plot was dull, had no content and the language of the author has had a clear deterioration over the years which is getting more and more colloquial. Despite this being my second reading of the same, it still took a long time and sometimes, this book lulled me to sleep in no time. I see this book as nothing more than a filler just to elongate the series and I hope, the finale is not as disappointing as this. I'd rate this book a poor four on ten. Rating - 4/10 Have a nice day, Andy
I've the author of The Dark Pool, J.E. Fishman as my interviewee; Astute's first. I've enjoyed several thriller novels, and The Dark Pool too was one of them - a book which I particularly loved for its characters, the plot, the writing style and the financial element in the book and inevitably, ended up with a high rating in my review.
I hope you enjoy going through the interview!
Andy Anderson: Before
going into the specific questions, I’d like to ask you what sort of books you
like to read – just to see whether there is any correlation between your
interests and your creations.
J.E. Fishman: I read
pretty widely. Although, of course, I read mysteries and thrillers, I don’t
stick to one genre. I’m more of a grazer. Recently I’ve been reading a bit of
science fiction and historical fiction, for example. I’m sure there’s some kind
of correlation between my interests and my creations, but it’s not based upon
what I read, per se. It’s more based upon my interest in the human condition,
the challenges regular people face or can be made to face.
AA: The
Dark Pool is your third novel and from what I understand, it is not the first
thriller that you’re crafted but, it seemingly is the first novel of yours
centered on investments, securities and some dark elements of the financial markets
largely unknown to the outside world. What inspired you to write a novel based
on this theme?
JEF: A few
things. First, like so many people, I was appalled at the way the financial
meltdown happened, beginning with financial machinations and ending with so
many regular folks feeling pain. Second, I’ve followed the stock market for a
long time as an investor, and it intrigues me. Finally, for two decades I lived
in the Hudson Valley in an area that was rife with Wall Street traders and
hedge fund managers. I saw some of these people around socially, and I got to
know a bit about what makes them tick. All these things came together to pique
my interest in the subject.
AA: The
Dark Pool cartel and the Q scores formed a significant part of the novel – did it
also take an equally large amount of time for you to research deeply on the
same to put into a novel?
JEF: I
should emphasize that putting dark pools and Q scores together is my own
fictional conceit, but each of these elements is quite real in its own right.
The research wasn’t hard. These things are out there. What a storyteller does
is use real-life elements as a point of departure to explore larger truths.
AA: The
main protagonists of the novel, Shoog Clay and the young running back, Antwon
Meeps, both are involved in American football, and it is more than just a hobby
for both of them. But the sport hardly had any role in the novel but for Clay’s
analogies, though it serendipitously turned out to be an advantage for someone
who doesn’t follow the sport, nevertheless, I’d like to ask you, was it a part
of the original script or was it merely a conscious decision to ignore it?
JEF: The
book isn’t about football. It’s about two guys who are having their lives
manipulated by powers that are unknown to them and initially beyond their
comprehension. I had to give Shoog a profession that held the prospects of
future fame, so I made him a successful coach at a level where there were great
prospects in front of him – if only he would take them. Once I made him a
football coach, however, he had to think as a football coach. So that’s how he
interacts with his player and that’s the frame of reference he uses sometimes
in trying to communicate.
AA: I’ve
heard many say that character building is what makes a novel and it also
happens to be the most difficult part of it. The characters of The Mean, Clay,
Meeps, Sark or Jagus, how did you go about creating them – an allusion to your
own acquaintances, plain imagination or is it a combination of both?
JEF: Character is not the color of someone’s hair or even his or her personality
quirks. It’s the choices we make as people. Once I establish basic
characterizations, the character comes from the actions those characters must
take in a given situation. The key to that is creating conflict that tests
them. They must react to that conflict in a way that is unique to them. This is
what novelists mean by the character taking over the story. Once you get into
the narrative, you can tell if a decision that occurs to you will ring true or
not, because of the decisions that character made up to that point.
AA: The
antagonist, Jagus dies in the end of the novel and Antwon’s dreams are
realised, but coming to the other end, Shoog lost his godchild, Antwon lost his
friend and teammate (the previous and the current case, both being Romero),
Shoog also happens to be the only surviving Clay sibling now – would you
consider the ending of your novel to be a happy ending?
JEF: A happy
ending doesn’t require that every character has a happy outcome. What makes it
a happy ending is that a measure of justice prevails and order is restored in
the world. So, yes, it’s a happy ending.
AA: Many
authors try and bring about social issues through their stories – such as Ian
Rankin, a crime novelist whom I like, says that he brings out all the social
problems in Edinburgh through his John Rebus novels. The issue you’ve chosen
too, is very relevant, with financial markets playing a significant role in
anybody’s lives today, did you also have a motive of throwing some light on
social issues through The Dark Pool?
JEF: Ian
Rankin’s novels probably do it with a lighter touch than I did in this novel. I
definitely was looking for a way to dramatize the fact that in the modern
financial system the actions of traders have consequences for regular people –
people that the traders may not ever meet and almost certainly don’t really
care about. The trader is focused on his trade, not on outcomes for society.
AA: To
conclude the interview, I’d like to ask you, what sort of advice would you like
give to the aspiring authors (includes myself), particularly the genre which is
your forte, the thriller genre?
JEF: The
advice is the same for thrillers or any other genre. Distinguish between the
style of writers whom you admire – which is unique to them – and the techniques
they use, which are universal and available to us all. In other words, seek to
write fresh but learn the craft.
Thanks a lot, J.E. Fishman, for sparing time and helping Astute get its first author interview.
‘Artemis
is no stranger to trouble. In fact, he is a magnet for it. Man-eating trolls,
armed and dangerous (not to mention high-tech) fairies, flame-throwing goblins –
he’s seen the lot. He had decided to forego criminal activity of the magical
kind. However …
Now
his mother is gravely ill. Artemis Fowl must travel back through time to steal
the cure from the clutches of the young criminal mastermind … Artemis Fowl.
That’s
right. With fairy ally Captain Holly Short by his side, Artemis is going back
in time to do battle with himself.
Let
the misadventure begin.’
Artemis Fowl and the Time Paradox is the
sixth novel in the Artemis Fowl octet. This review might contain spoilers to
the previous books and in case you haven’t read them, the reviews of Books: 1,
2, 3, 4 and 5 are available in this blog.
Artemis is back from the limbo, the world
has moved on, by three years, but there is no change in Artemis. He is now the
elder brother of the twins; Myles and Beckett Fowl. But, his mother is suffering
from a disease with severe symptoms, and Artemis makes her condition worse, by
using his stolen magic on her. It is found out that she is affected by spelltropy,
as fairy plague and for obtaining the cure; he had to travel back in time.
Eight years ago, when the Fowl finances were struggling, he sold the last silky
sifaka lemur to a group of extincitionists to fund his Arctic expedition and
Artemis has to go eight years back in time, to retrieve the lemur from …
Artemis! His younger self. Artemis who has considered only himself to be a
worthy opponent for him, now has a chance to battle it out, with the younger
one fighting for money and the elder one fighting for his mother.
The book’s plot, as such was good,
especially having Artemis’ schemes working both ways is a highlight in this
novel. Moreover, the gradual transformation in Artemis’ character is seen quite
clearly in this novel, with Artemis willing to undertake something which doesn’t
involve any monetary profits. I loved the way in which Colfer described
Morocco; and living in a developing country, I could easily relate to the
strange scenario where a shepherd wears a Manchester United shirt. The author
could also be appreciated for maintaining his witty writing style and brining
in strange elements to the plot of the novel, as always.
However, I felt that it is getting
repetitive, for one, going back in time is no new idea and there is absolutely
nothing unusual to expect innovation from Colfer, making it somewhat
disappointing. Moreover, this is the second time Colfer is playing with time,
considering that The Lost Colony, the prequel, was also in a way related to
time, being static in the demon island. Similar to The Lost Colony, the author
has yet again, ruined a good story in an attempt to just elongate the story,
making it far more confusing (to be frank, I didn’t have much idea on what
happened after the three hundredth page after my first read and this being my
second time, now I do have some clarity) and sometimes boring.
On the whole, the Artemis vs Artemis clash
was interesting, and like other books, here also, the digressions were minimal,
but for the second chapter, as always, which deals only with a fairy situation.
But coming to the rating, the repetitive nature of the whole thing pulls the
rating down a little, from eight to seven.
I’m no expert when it comes to music and
all I do is determining whether I like a song or not and I don’t even have the
skills to identify a song’s genre but most of those songs which I happen to
like are categorised under pop. Moreover, I've never even been a bathroom singer nor have I ever wielded a musical instrument. I’ve never bothered about the language of a
song and in fact, prefer songs of a language which I don’t speak and even in
case of English songs, I’ve never bothered too much about the lyrics.
This happens to be the fourth Eurovision
Song Contest I’m following and despite the fact that I’ve no power to influence
the contest in any way whatsoever since I live in a place miles away, even from
the nearest eligible country, which I guess is Lebanon. But I’ve still had the
interest in the competition, owing to such enthusiastic performances and also,
most songs sung in this contest happen to suit my interests
A blog post may not be the best way to put
up a top 10 list, especially when this is a not a music blog (nor shall it ever
be) but I don’t happen to have the ‘technical know-how’ to personally compile a
video with excerpts from each song. The list has got nothing to with public
opinion or trends, it is solely based on my liking and nobody shall dictate
which song I should like and which one I shouldn’t.
So, here it begins: -
10. Greece – Alcohol is Free by Koza Mostra
feat. Agathon Iakovidis
The pace, at which the song goes, is not
usually something that represents my liking but for the strangest of reasons, I
liked it. Their voice, their attire in particular and by the way they go about
it, I guess the song’s lyrics are funny. I felt it deserved a mention, and
hence, I gave it the last slot in my list.
09. Malta – Tomorrow by Gianluca Bezzina
I liked the voice of Bezzina, sounded like
some young boy singing. Was one of my initial favourites but as more and more
countries declared their songs, they just happened to gazump the Maltese entry.
08. Slovenia – Straight into Love by Hannah
Mancini
Sung by the ‘American girl popular in
Slovenia’, which happens to be what Mancini says about herself, has created a
standard pop song with her team. Good song, which immediately got into my ‘Best
in the Library’ playlist.
07. Sweden – You by Robin Stjernberg
The hosts, the incumbent, many tip Sweden
to win the contest again but I think this is the proper place for the song in
my list. When I first heard it, I didn’t particularly like it, but this song
went the opposite way, in comparison with the Maltese entry, gradually rising
up the ranks in my list. Certainly not my choice for a victory but is an
excellent song and if I give it some more time, it might well go into till the
fourth rank in my list.
06. Austria – Shine by Natália Kelly
Loved the song, when I first heard it, I
thought that this was going to be my favourite in the contest but,
unfortunately, there are better entries.
05. Denmark – Only Teardrops by Emmelie de
Forest
I wanted Denmark to finish in the top three
in the last two years, that is, the songs New Tomorrow by A Friend in London in
2011 and Should’ve Known Better by Soluna Samay for 2012. But I don’t think
neither of them even came close but this time, public opinion seems to be
strongly in favour of de Forest, especially when she is performing at Malmo,
which is effectively a home advantage considering Copenhagen being the nearest
big city. Moreover, even the Nordic voting bloc might be in her favour.
The song was good, I especially loved the
flute (or however THAT particular instrument is known as) but the live
performance should be a little better.
04. United Kingdom – Believe in me by
Bonnie Tyler
UK grabs the fourth position. When I came
to know that Tyler was going to be the representative and considering her age,
I thought it was going to be yet another horror of a performance, like
Humperdinck’s performance at Baku. But, this was more suited for the present
day, and I’m surprised that she has maintained her voice even at 60+. Great
song!
03. Azerbaijan – Hold me by Farid Mammadov
Another brilliant entry from Azerbaijan! A
wonderful ballad and though, is not very highly rated video in Youtube’s
various ranking videos, but I often contemplated giving it the first spot in my
list. Can Azerbaijan have their second win in three years?
02. Russia – What if by Dina Garipova
Russia finished second last year with
Buranovskiye Babushki’s Part for Everybody but I was disappointed with that
song. Didn’t suit my interests at all, but this one from Dina is appropriately
soft, slow and although I’ve never bothered about it much, I liked the lyrics
of the song – going with the motto of this year’s contest, We Are One.
01. Iceland - Ég á líf by Eyþór Ingi
Gunnlaugsson
My favourite, by a significant distance
from Dina’s What If. When I first looked Eyþór Ingi Gunnlaugsson’s picture, his
hairstyle indicated that he was another one of those Nordic cacophonic heavy
metal musicians but his song turned out to be a pleasant surprise – soft and
melodious. Incidentally, this happens to be my only other foreign language song
in the list, other than that of Greece, which is quite unusual.
I’ve missed out on three highly rated
songs, that is German, Norwegian and Dutch entry but I consciously left them out as I didn’t like any of them
much, and at most, Germany could’ve made it into my top 15 list. But as always,
my ratings are always a way off from the reality: 2010, my favourite entry was
Slovakia’s Horehronie sung by Kristina Peláková but it didn’t even qualify for
the final; the next year, 2011, at Dusseldorf was a little better, with my
favourite entry, Paradise Oskar’s Da Da Dam representing Finland coming at
least to the final, but was ranked beyond 20; and 2012 wasn’t any different,
with Hungary’s representative, Compact Disco whose song Sound of Our Hearts
also ending up with a rank beyond 20 and I believe even Iceland would only
suffer the same fate.
Looking forward to the event, and luckily,
it is one day after my exams get over!
‘The
20th Century takes you from the last days of the vile Victorian
Queen right up to the nostalgic Nineties, with all the amazing changes and
incredible inventions that happened in between … and it’s not even over yet!
Want
to know:
·Who shocked the world by showing her knickers?
·How two monkeys and a dog became astronauts?
·Why a posh London restaurant served stewed car?
From
the suffering Suffragettes to Bill and Ben, from Charlie Chaplin to Margaret
Thatcher, this is horrible history as you’ve never seen it before – because
you’re part of it! History has never been so horrible!’
The 20th Century is a part of
the Horrible Histories series written by Terry Deary, with this book being a
special edition. It contains a summary of the entire 20th Century,
covering one decade in each chapter.
This book contained elements of a typical
Horrible Histories book, with a timeline, interesting illustrations, diary
entries and also some excellent handpicked events – making history rather
interesting. My expectation on Horrible Histories novels have always been high,
as I’ve learnt more about World War II or Egyptian history from the Horrible
Histories novels than any history textbook and with that said, I’d have to say
that this supposed ‘special edition’ was rather disappointing.
First, it is not very wise to cover the
entire 20th Century in 176 pages and thus, the content was
inevitably less, very less, in fact. The author did bring out the gradual
transition in the way of life, pretty well, but it was mainly, only the British
way of life. Moreover, the author’s primary aim was only to make this book
interesting than informative – there were several interesting incidents
narrated by the author such as the story of Adrian Carton de Wiart or that of
Lucky Lord Lucan but they are not of much historical significance, in my
opinion, especially, the latter. Out of 176 pages, I guess a chunk of it was occupied
by the stories on the South Pole explorer Robert Scott and the next generation
Scotts (though I liked the anagram in Loch Ness’ scientific name Nessiteras
rhombopteryx).
To sum it up, I would have liked this book,
had there been a little change in the title of the book – ‘Britain during the
20th Century’. The Author mainly concentrated only on British
inventions, British achievements and British glories but it hardly went beyond
Britain (probably the cover story is the only aberration) and is best suited
for Brits who are interested in learning about their recent history. What I
understood after reading this is that Horrible Histories is more suited when it
is particular about something and not generic, like in the case of this book.
This is the first horrible histories book that I’m reviewing but it certainly
is not the first book of the series that I’ve read and after the expectations
those books had set, this disappointed me.
‘Shiva
is gathering his forces. He reaches the Naga capital, Panchavati, and Evil is
finally revealed. The Neelkanth prepares for a holy war against his true enemy,
a man whose name instils dread in the fiercest warriors.
India
convulses under the onslaught of a series of brutal battles. It’s a war for the
very soul of the nation. Many will die. But Shiva must not fail, no matter what
the cost. In his desperation, he reaches out to the ones who have never offered
any help to him: the Vayuputras.
Will
he succeed? And what will be the real cost of battling Evil? To India? And to
Shiva’s soul?’
The Oath of the Vayuputras is the final
book in Amish Tripathi’s Shiva Trilogy. This book too, like The Secret of the
Nagas, starts exactly where the prequel stops. So, don’t read this as a stand-alone
before reading The Immortals of Meluha or The Secret of the Nagas, the reviews
of which are available in this blog.
In this, Shiva’s quest for evil is complete
after the reunion with his friend Brahaspati. The reasons for the plague in
Branga, the birth of Nagas, had all been brought to light – and the reason is
what is said to be the greatest invention – the Somras – the potion which
extends the lifespan of a person (I’m not spoiling anything here, it is
revealed within the first 40 pages). Shiva decides that Somras is evil and it
has to be removed from the world. However, he has obstacles in his way – the
actual beneficiary of the potion, the Meluha, doesn’t accept Shiva’s position,
and Shiva himself is seen as he was never nominated by the Vayuputras, a tribe
who were supposed to choose the Neelkanth. War is inevitable, and it has to be
won.
The first thing I could notice in this novel
immediately was that Amish’s writing has improved, A LOT. While the language in
the first was rather amateurish, and in an attempt to make it better, the second
book was highly laboured but the final instalment of the trilogy is natural and
the author has largely stopped using modern slang but I’d reiterate that this
is only a case of improvement and doesn’t necessarily mean that the language
and presentation is noteworthy. Another interesting aspect of it was the global
element of it – if you take a present day political map, the story revolves
around in India, Pakistan, Iran, Bangladesh and Egypt. Coming to the story as
such, the important part of it, the war strategies of both the sides was
brought out well. The characters had become complete now and now the reader can
easily judge the reaction of a character based on her/his personality, which
was one of my major complaints with the first book. I loved the character of
Kali in particular, which was somewhere close to my own line of thought, such
as her open criticism of paramatma (supreme being / god) owing to the
unnecessary suffering of the Nagas for the mistakes of certain Meluhans; I was
immediately reminded of Austin Dacey’s fifth argument in favour of atheism and
against god, that is, ‘The existence of gratuitous / pointless evil and
suffering’. The story got into the crux of the plot, immediately, and that page
was well maintained throughout and the only complaint that people could have
regarding this is that there was no element of mystery involved, unlike the
first two books, nevertheless, it wasn’t devoid of twists and turns. The
allusions that the author makes to the Zoroastrians and the Buddhists was also
quite interesting, something which most could easily relate to.
This book also had its flaws, starting with
Kartik. The kid, I guess, was a six or seven year old at the beginning of this
novel and although it is said that he is a prodigy when it comes to wielding
the sword, no prodigy could even thinking of leading an army of hundred
thousand against a ferocious force. So, his intellectual thoughts and his role are
highly inconsistent with his age. Like in all the other books, the excessive
usage of the ‘respect pronouns’ such as your highness, my lord/lady, etcetera
was quite annoying. The sudden patriotism of Amish was also quite strange,
considering how he had started referring to the land as ‘India’ and similar to
how the author only referred to west Asia as Mesopotamia and not Iran / Iraq is
because these name didn’t exist back then and the same applies for the name, India
as well. While I liked the strategies that were formulated for the war, I was
disappointed with the actual wars, as each of them, were highly one sided,
either in favour of one or the other. Moreover, while the ending was good, but
I don’t think any sensible person would regard Shiva as a great person,
considering what the means he had employed to attain his ends. The author did a
commendable job in covering up most of the loose ends but I found one
significant loose end, that is, the murder of Sati’s deceased husband
Chandhadwaj. The reasons for the same could be presumed by the reader but,
Daksha, while thinking about it personally, comes to a conclusion that he was
party to it, but it happened because of an act of omission on his part although
the reader is kept in the dark as to what was that omission.
Overall, I enjoyed the novel very much,
much more than the previous ones. I don’t consider the Shiva trilogy to be a
series per se, rather, the same book broken into three parts and hence, I’d
also consider working on a review and a concluding summary of the novel, soon,
and the latter would definitely contain spoilers.
The author did suggest his next work
towards the end of the novel – a similar genre, based on Mahabharat. If it
happens, it would not add versatility to his name, but I do understand that it
has the potential to generate a lot more money and I hope he does a good job in
writing that book.
Coming to the rating of this book, although
this is much better than The Secret of the Nagas, the book still doesn’t
deserve a rating of nine. I’d award this an eight on ten.
Shoog Clay: The nation's winningest inner-city high school
football coach resists pressure to move up to the college level because his
kids in the Bronx mean everything to him. But more powerful people won't take
no for an answer.
Antwon Meeps: One day Harriet Tubman High School's star running
back is a shoe-in for a college scholarship. The next day he's accused of a
rape he didn't commit, his life begins unraveling, and he doesn't know how to
stop it.
The Mean: This incognito Greenwich hedge fund manager is so
rich he keeps a giant sea creature as his pet. But a risky investment threatens
to ruin him, and a stubborn high school football coach holds the key to his
redemption.
Soon
a tragic hanging in the school gymnasium will lay bare a secret force that none
of these men understands. In a "dark pool" marketplace, insatiable
Wall Street players have wagered everything on certain real-world outcomes.
When fortunes hang in the balance, financiers cloaked in anonymity won't
hesitate to pay off their claims with the blood of others.’
The Dark Pool is a thriller novel written
by J.E Fishman featuring a young sportsman, his coach and an anonymous hedge fund
manager. The young sportsman, Antwon Meeps, a student at Harriet Tubman School
in Bronx, NY, at the start of the story is at Somerset Lake, Georgia, spending
his Christmas Holidays with his aunt and cousin. Along with his cousin’s
friends, Antwon too, is accused of rape, something to which he was merely an
eyewitness and he is bailed out of Georgia by a lawyer – for a consideration
that Antwon would help him on his demand and he has no idea what he is getting
into. On the other side, there is Jonathan ‘Shoog’ Clay, an American football
coach at Harriet Tubman School and he sees his pupils as his own children. But,
he is offered a job to coach a college team, and the ones who have made the job
offer are not willing to appreciate his perseverance. Things turn upside down,
when a student, a member of Clay’s team, is found hanging causing serious problems
for both, Antwon and Shoog. And the hedge fund manager, The Mean, is somehow
connected to all these events is facing the risk of losing his fortune.
I liked the diversity in the plot,
involving a kid, whose dreams are shattered, a coach who’d do anything to save
the kid and the investors in the Dark Pool, who are concerned only about one
end, that is, an increase in their wealth and for which, they’re willing to
take any dire step. The pace was another aspect for which it ought to be
appreciated, with the author getting to the crux of the plot from the very
first page, till the end, without any sub-plot. The author also did an
excellent job in character building, and how, each one of it undergoes a
significant change, as the events unfold. Initially, I was worried a little,
for a reason that I had no idea about American Football and if this had been
based on the sport, I’d have surely close the book halfway but here, it is only
a story on events surrounding the two who are involved in the sport. The only
thing one would probably miss is the ability to understand the sport analogies
of Shoog Clay, and someone who follows the sport might enjoy it (or might not, I’m
not sure).
The only problem I had with this book was
that I found Antwon’s escape from the prison in Georgia was flawed – however
influential the lawyer who came to his rescue might have been, this case was
supposedly reported in the papers and how, one of the accused assailants could just walk out, scot
free. Moreover, those characters were completely ignored after Antwon’s escape
– the author could have added a line in the epilogue on what happened to that
case. One could also have a contrary opinion that the entire Georgian episode
was just meant to destroy Antwon’s dreams of becoming the first person in his
family to go to a college, although, I personally don’t subscribe to this view.
To conclude the review, I enjoyed the mix
of this novel, where lives of two ordinary people are turned upside down in a
matter of weeks in a matter of weeks, by rich and influential people in the
financial circle. Being a student of finance myself, I particularly enjoyed the
financial aspect of it. The most important aspect of any thriller novel, in my
opinion is the end, and I felt it was satisfactory, except where the Georgian
episode didn’t have a proper closure. Considering the plot, pace, the
characters and the end, I’d award this book a rating of eight.
